Not many artists can say they’ve outsold legendary acts such as Earth, Wind & Fire, except for Canada’s own Crack of Dawn who are back with Spotlight, featuring a collection of classic tracks.
With other titles such as being the first black band to be signed to a major label (CBS) as well as being picked up by Otis Redding’s producer, Crack of Dawn were anticipated for bigger things, though word from them remained quiet… until now.
Returning with a selection of re-recorded classics from the band as well as some new tracks, Crack of Dawn’s Spotlight is an authentic return to the classic funk and soul sounds of their era.
The overarching theme of the album seems to be nostalgia and sentimentality, what Spotlight does exceedingly well is maintain an authentic sound throughout; it does not do anything out of the ordinary and the album is actually not that adventurous – and that’s fine.
For funk fans, there is something for everyone, from the strong Stevie Wonder vibes on one of the lead tracks ‘Booby Ruby’ to the falsetto vocals on ‘Keep the Faith’ that allude to a sound similar to what the Ohio Players had on their album Honey.
The album opens up strong with the classic and unmistakable funk sounds, ‘Crack of Dawn’ does a great job in laying out what the band is capable of, from the jazz inclined funk virtuosity to the soaring synth melodies and strong bass grooves. The first four tracks of the album maintain that uplifting funk quality as seen with their contemporaries, what Spotlight manages to capture in the earlier parts of the album are different flavors of funk from their era, ‘Somebody’s Watching’ features almost a 1970s “cop-drama” tonality to it with the wah-heavy guitars with a catchy descending riff during the chorus.
Halfway through the album with ‘It’s alright’ changes the pace with an authentic funk ballad that heavily enforces the theme of sentimentality and nostalgia throughout the album. The theme reaches its pinnacle with the track ‘Ol’ Skool’ which sounds like it could have come straight out of the late 70s, the track also pays homage to their contemporaries through the years within the lyrical content, ‘Ol’ Skool’ comes across as a a labor of love and defines the bands mission.
Whilst the album remains authentic to its sound and doesn’t deviate from its purpose, its biggest flaw is the length in which the album tends to latch on to the sentimental ballad sounds. Tracks five through to nine are all sentimental ballads with only slight variations on how they approach the stereotypical funk-ballad sounds, and whilst the dynamics of the album are thoroughly consistent, by track nine the ballads become exhausting, despite how well they are crafted. With only one track left of the album there is very little opportunity to pick up from where the album started.
‘Changes’, the final track finally picks up the pace and invokes a big finale to the album, bringing it back to the big, groovy funk tracks that started the album and brings a full circle to what the band can do.
Spotlight is a great album because it’s an authentic return to funk. In a time where experimentation is key to surviving in the music world, it’s nice to hear something new and modern that throws the listener back to the 1970’s and the dawn of funk. Spotlight is not adventurous and doesn’t do anything out of the ordinary, and that’s okay – because it’s a nostalgic throwback to the times where they outsold Earth, Wind & Fire. It’s the bands opportunity to reminisce the good old days.
You can keep up to date with Crack of Dawn and purchase the latest album by following their social network links below;