The gateway to isolation; Michaela Polakova and Natalie Kocab’s brooding collaboration.

When would happen if you took classical music and mixed it with something as niche darkwave? The answer could be in Michaela Polakova and Natalie Kocab’s latest collaboration.

Both hailing from the Czech Republic; Singer & lyricist Natalie Kocab and composer Michaela Polakova join forces in a testament to experimentation, which also features a helping hand from The Verve’s guitarist Nick McCabe and Lou Reed bassist Fernando Saunders.

The album consists of ten tracks and provide a variety of tones and textures, with influences from Patti Smith to Nick Cave, all the way to My Bloody Valentine and The Cure.

The album opens with one of three lead singles ‘Underwater’ which does an excellent job of setting the tone for the rest of the album, providing a strong opening and a strong vocal performance accompanied with poetic lyricism from Natalie which remains consistent throughout the rest of the album. The song features an atmospheric soundscape with a jarring middle eight, comparable to albums such as Pornography by The Cure.

The album then follows into ‘Kiev’, which changes from a soundscape-like structure into something more post-rock influence, with what sounds like a slight oriental twist to the composition. The song follows through with a crescendo; a big finish maintaining that post-rock attribute.

‘These Years’ which is the second lead single changes the atmosphere a bit, the orchestral side to Michaela’s compositions are more apparent here followed by opening with a 90’s or early 2000’s pop melody showcasing its contemporary elements; though like a facade this changes a minute into the track where the melody completely juxtaposes and becomes jarring, maintaining the authenticity to the album.

The album is a collective of melancholic and jarring pop tracks followed by experimental, post punk influenced tracks, Nick McCabe’s guitars compliment the classical compositions and just like Kevin Shields and Patti Smith’s collaboration in 2005 and 2006, vocalizes the instrument.

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Tracks that follow such as the title track; ‘Ellis Island’ and the third lead track ‘Social Affair’ are more of a radio friendly take on the sound that Michaela & Natalie have crafted, contemporary structures whilst maintaining a certain melancholy that is not too drastic or dissonant, ‘Social Affair’ features a more alternative rock take on their sound.

‘Zadnej Kod’, which is performed in Czech is again a more orchestral track, which features haunting tonality, the track picks up and features almost an operatic rock dynamic to it.

I do feel however, following Zadnej Kod that ‘Feeling Falls’ and ‘Carry On’ could have been positioned differently on the album, ‘Feeling Falls’ feels very similar melody-wise and Carry On feels slightly anti-climatic in its positioning. And whilst ‘Feeling Falls’ does well in its minimalist, spacious approach it’s light dynamics into a crescendo came too soon after ‘Zadnej Kod’.

The album concludes with the track ‘Backstabbers’ which unlike the aforementioned two tracks is positioned well and conclude the album perfectly, whilst yet another pop oriented track among the final three, the dynamic changes with acoustic guitars at the forefront mixed with the whirling, wall of sound like tonalities of the electric guitars, the song also features lounge-like spoken word vocals, which adds a nice, conclusive shift from the powerful vocal performance which remained consistent, to something that tones down the album.

Whilst the album features a plethora of musical styles and experimentation, it does not sound messy one bit, Michaela’s work on the compositions make the album sound consistent and authentic whilst making the album interesting throughout, the album does not go off on a tangent nor does it become monotonous: It’s a fresh and relevant take on experimentation that rivals the likes of recent contemporaries.

Natalie Kocab’s vocals are personally one of the biggest highlights of the album, the overall vocal performance was powerful and suited the music that was accompanying them,.

Overall, the album genuinely offers something for everyone, a welcoming form of experimentation that is not to alien to the average listener yet interesting enough to keep die-hard alternative music fans listening throughout.

Ellis Island is out now, you can purchase the album from this link; https://wmcz.lnk.to/ellisisland

To keep up to date with Michaela Polakova and Natalie Kocab, you can follow their social networks below;

https://soundcloud.com/nataliekocabmichaelapolakova

https://youtu.be/QDOEQVGicqM

https://youtu.be/sT1g9fYFon0

https://www.facebook.com/Ellisislandalbum/?ref=aymt_homepage_panel

 

“The Mario Baloetlli of art school rock” Johann Sebastian Punk teases his debut album with the release of ‘Confessions’

Sicily’s answer to Syd Barret; Johann Sebastian Punk is preparing for the debut of his debut album Phoney Music Entertainment with the release of ‘Confessions’ which is sure to take listeners on a sonic journey of sorts.

What is apparent is that Johann has adorned an embodiment of some of the greatest icons of the eclectic side of the music world, including names such as Bowie, Adam Ant & Syd Barrett – going beyond the boundaries of when music becomes art.

Incorporating the iconic storytelling aspects of songwriting modeled by the aforementioned influences. The song is more than just a five minute jingle, it’s a psychedelic journey that presents something new with each listen.

Whilst the previously mentioned influences give an overall picture as to what the listener might expect upon listening. The song features a diverse range of influences and sparks multiple ideas in its composition, the ambient yet haunting atmosphere of the song sets the overall mood for the song.

The song features intricate choral-like vocals which makes the composition sound grand, along with woodwind instruments that add a fantastical element to the piece.

The composition concludes with a crescendo, still maintaining that dream-like, fantastical quality to the piece, we are introduced with a static drum beat. It brings familiarity in the form of Radiohead’s more experimental tunes and even The Beatles during their psychedelic years.

What Confessions does well is paint a sonic picture, those who are looking for substance and something comparable to artwork can eagerly look forward to Johann’s debut album Phoney Music Entertainment, which releases on the 13th of October. However, not only is a second single ‘Tragedy’ due for release before then, but U.K fans can listen to the debut album digitally during the second week of September.

For more on Johann Sebastian Punk and to keep up with his upcoming releases, you can find his social media links below;

Twitter: @JohannSebastianPunk

Instagram: @johannsebastianpunk

https://www.facebook.com/johannsebastianpunk/

https://www.youtube.com/channel/UCDUUkQQFWXIFK8R3YjHY0jA